The sheriff examined the photograph, an ordinary cabinet card. The portrait was that of a woman, pictured with the relentless frankness of a rural photographer’s camera. Every sad line in the plain elderly face, every wrinkle in the ill-fitting silk gown, showed with a brutal distinctness, and somehow made the picture more pathetic. The woman’s hair was gray and thin; her eyes, which were dark, looked straight forward, and seemed to meet the sheriff’s gaze. They had no especial beauty of form, but they, as well as the mouth, had an expression of wistful kindliness that fixed his eyes on them for a full minute. He sighed as he dropped his hand. Then he observed that there was writing on the reverse side of the carte, and lifted it again to read.

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