Of the stories, “Der Freischütz,” as every body knows, is from the German.  “The Fortunes of De la Pole” is original; so is “The Prediction,” and “The Yellow Dwarf,” if I may be allowed that claim for such a “thing of shreds and patches;” it is an olla podrida of odds and ends, a snip of the garment of every fairy tale written since the days of King Arthur.  The story of “The Lord of the Maelstrom” is also original, though, as in that of “The Yellow Dwarf,” I have raised my structure upon an old nursery foundation; but it appeared to me an excellent vehicle for the beautiful mythology of the North, and the introduction of Odin and his exploits,—whose history, by the way, I believe, has been extracted from the Talmud, or from the rabbinical traditions of the events previous to the creation, and the deeds of Moses and others.

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